09-27-2010, 04:24 PM
I model the Pere Marquette Ry set in Flint, MI.
Do you have a time frame where you're set, time of year?
1941-1947
Are Steam, Diesel, Electric or all/some of both?
I have 2 berkshires, 1 consolidation, 1 pacific, 1 mikado, 1 GE 44 tonner, and an ALCO S1. Because the PM is owned by C&O there is a large chance of seeing some C&O steam, as well future motive power, such as an E7 AA consist, a BL2, and more steam.
What are your railroads and what's the rolling stock consist of for deliveries/industries?
Pere Marquette, and some GTW. During my time period most of the local industries switched gears to wartime production. I use flats, gondolas, 40 and 50' box cars, reefers, hoppers, and covered hoppers.
PM interchanges with GTW. I service Hamady Bros Meats, General Motors, a PM freight house, a grain elevator, fuel distributor/coal dealer, a team track, a scrap dealer, GERN, and 2 passenger stations.
Is it Freelance or Compressed Prototype or even exact scale replica?
Compressed prototype, with some freelanced elements thrown in
Do you have a time frame where you're set, time of year?
1941-1947
Are Steam, Diesel, Electric or all/some of both?
I have 2 berkshires, 1 consolidation, 1 pacific, 1 mikado, 1 GE 44 tonner, and an ALCO S1. Because the PM is owned by C&O there is a large chance of seeing some C&O steam, as well future motive power, such as an E7 AA consist, a BL2, and more steam.
What are your railroads and what's the rolling stock consist of for deliveries/industries?
Pere Marquette, and some GTW. During my time period most of the local industries switched gears to wartime production. I use flats, gondolas, 40 and 50' box cars, reefers, hoppers, and covered hoppers.
PM interchanges with GTW. I service Hamady Bros Meats, General Motors, a PM freight house, a grain elevator, fuel distributor/coal dealer, a team track, a scrap dealer, GERN, and 2 passenger stations.
Is it Freelance or Compressed Prototype or even exact scale replica?
Compressed prototype, with some freelanced elements thrown in
Don't follow me, I'm lost too.