10-28-2012, 02:27 PM
That's really coming together nicely, jwb. 
If you control your photo angles, you may be able to add a representation of "a road going up a hill" between Forley and the Walthers building. If there's sufficient depth, a piece of cardstock or sheet styrene with, hopefully, a short flat section between the tracks and the backdrop. Allow the "road" to curve and disappear to the left, then plant a two dimensional tree at the area where Forley's meets the Kingmill structure behind it.
An alternative, if there's room, would be a "T" intersection at the top of the hill. A vehicle, fully modelled, or low relief, or even a photo, within that intersection would suggest the cross road, which wouldn't otherwise need to be modelled at all. If there's room at the bottom of the hill, place a vehicle facing the viewer (or going away) between the tracks and backdrop - this will attract viewers' eyes away from the condensed bits and make everything appear to be more fully modelled.
Wayne
If you control your photo angles, you may be able to add a representation of "a road going up a hill" between Forley and the Walthers building. If there's sufficient depth, a piece of cardstock or sheet styrene with, hopefully, a short flat section between the tracks and the backdrop. Allow the "road" to curve and disappear to the left, then plant a two dimensional tree at the area where Forley's meets the Kingmill structure behind it.
An alternative, if there's room, would be a "T" intersection at the top of the hill. A vehicle, fully modelled, or low relief, or even a photo, within that intersection would suggest the cross road, which wouldn't otherwise need to be modelled at all. If there's room at the bottom of the hill, place a vehicle facing the viewer (or going away) between the tracks and backdrop - this will attract viewers' eyes away from the condensed bits and make everything appear to be more fully modelled.
Wayne